Bibliografía

  • A. L. Rees, Duncan White, Steven Ball, David Curtis (eds.), Expanded Cinema: Art, Performance, Film.
  • Agacinski, Sylviane (ed.), Time zones: recent film and video, Londres, Tate, 2004.
  • Andrew, Dudley. (1997). The Image in Dispute. Art and Cinema in the Age of Photography.
  • Balsom, Erika, Exhibiting Cinema in Contemporary Art. Amsterdam: Amsterdam University Press, 2013.
  • Basilisco, Stefano. (2004). Cut. Film as Found Object in Contemporary Video
  • Bellour, Raymond, Entre imágenes: Foto, cine, video
  • Bishop, Claire. (2012). Artificial hells: participatory art and the politics of spectatorship. Londres, Verso, 2012.
  • Branden W. Joseph, Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage, New York: Zone Books, 2008.
  • Campany, David. Photography and Cinema
  • Campany, David (ed.), The Cinematic, Londres, Whitechapel, 2007.
  • Chun, W. H. K., & Keenan, T. W. (2006). New Media, Old Media: A History and Theory Reader.
  • Connolly, Maeve, The Place of Artist’s Cinema. Space, Site and Screen
  • Douglas, Stan, & Eamon, Christopher. (2009). Art of projection
  • Dudley, Andrew, What Cinema Is.
  • Elwes, Catherine, Installation and the Moving Image.
  • Francois Bovier & Adeena Mey (eds.), Cinema in the Expanded Field.
  • Francois Bovier & Adeena Mey (eds.), Exhibited Cinema – Exhibiting artists’ Films, video art and moving image.
  • Francois Bovier & Adeena Mey (eds.), Exhibiting the Moving Image
    Iles, Chrissie (ed.), Into the light.
  • Jäger, J., Knapstein, G., & Hüsch, A. (2006). Beyond cinema: the art of projection. Films, videos and installations from 1963 to 2005.
  • Jane Connarty, Josephine Lanyon (eds.), Ghosting. The Role of the Archive within Contemporary Artists’ Film and Video
  • Jihoon Kim, Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age.
  • Koch, Gertrud; Pantenburg, Volker & Rothöhler, Simon (eds.), Screen Dynamics: 
Mapping the Borders of Cinema. Vienna: Synema, 2012.
  • Leighton, Tania (ed). (2008). Art and the moving image : a critical reader. London.
  • Leighton, Tania, & Büchler, P. (2003). Saving the image: art after film.
    Levi, Pavle, Cinema by Other Means.
  • Mannoni, Laurent, The great art of light and shadow :archaeology of the cinema.
  • Marchessault, Janine, Fluid Screens, Expanded Cinema.
  • Michaud, Philippe Alain. Sketches: histoire de l’art, cinéma.
  • Michaud, Philippe Alain. Aby Warburg and the Image in Motion.
  • Mike Sperlinger, Ian White (eds.), Kinomuseum: Toward’s an Artists’ Cinema.
  • Mondloch, Kate, Screens: Viewing Media Installation Art (2011).
  • O’Rawe, Des. Regarding the real: Cinema, documentary, and the visual arts.
  • Païni, Dominique, Conserver, montrer.
  • Païni, Dominique, Le temps exposé. Le cinéma de la salle au musée
  • Païni, Dominique, Hitchcock and art : fatal coincidences
  • Peucker, Brigitte. The Material Image: Art and the Real in Film.
  • Peucker, Brigitte. Incorporating Images. Film and the Rival Arts.
  • Pratt, Geraldine, Film and Urban Space: Critical Possibilities
  • Renov, Michael (ed.), Resolutions: Contemporary Video Practices
  • Rieser, Martin, & Zapp, Andrea (eds.). New Screen Media. Cinema / art / narrative, 2002.
  • Ross, Christine, The Past is the Present; It’s the Future Too: The Temporal Turn in Contemporary Art.
  • Røssaak, Eivind (ed.), Between Stillness and Motion: Film, Photography, Algorithms
  • Trodd, Tamara (ed.), Screen/Space: the Projected Image in Contemporary Art (2011).
  • VVAA. (1999). Cinéma, Cinéma. Contemporary Art and the Cinematic Experience.